Showing posts with label grainline. Show all posts
Showing posts with label grainline. Show all posts

19 October 2016

Nautical Cascade Anorak

Tilly's nautical Cascade anorakTilly's nautical Cascade anorak



Meet my new anorak! This is the Cascade pattern by Grainline - lovely lady Jen gave it to me when I met up with her in Chicago a while back, and I finally got around to making it this September. I love it!

I made it in a soft blue cotton twill from Goldhawk Road, and lined it in a navy striped jersey (I can't remember where I got that from, sorry). It's a cropped jacket with the hemline around the high hip. I didn't quite realise this until I'd cut it out - I had it in my head that it would look like a Seasalt anorak I have, and didn't bother look at the finished measurements. Good job I didn't shorten it like I usually do on bodices, as it's already pretty short! I do really like it though, and there's another variation in the pattern to add a lower panel if you want it to be longer.

16 July 2013

A Day in the Life of Grainline Studio

Don't you just love Grainline Studio? Their sewing patterns are modern, semi-androgynous (in a good way) and wearable styles, and the blog never fails to inspire. Jen Beeman is the brains behind Grainline, juggling her business with a part time job as patterncutter for another company. "But what's in her sandwich?" you enquire. Read this month's A Day in the Life to find out...

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"Hey guys, Jen here from Grainline Studio! I’m pumped to share a day in my life with you, though I’m still not quite sure what a typical day for me is I’ll do my best. Each week I have two types of days. The first is when I’m at home working on Grainline Studio and the second is when I work as a patternmaker for a local designer. I’ll start with Grainline Studio first.

GRAINLINE STUDIO DAYS

The majority of the week I work from home on Grainline Studio. On these days I usually get up around 8:30 or 9am. I’ve never been much of a morning person so my day skews towards the later hours. I roll out of bed and head straight to the tea kettle before I even think about doing anything else. After some tea is brewed and consumed, my brain begins to function properly and I can change out of the pajama situation into something more appropriate for working. I have a bit of a studio uniform, skinny black jeans cuffed twice, a tank, an oversized t-shirt, button up, or sweater depending on the season, and softsole Thunderbird Minnetonkas. At that point I usually check my email, blog reader, etc. out on the back porch while drinking tea until I feel like I can eat breakfast. I’m one of those people who can’t eat right away after waking up, but once I do I also have a seasonal breakfast uniform. Summer time is Greek yogurt, homemade granola, honey, and berries, and winter is oatmeal with brown sugar, dried fruit, and chopped nuts. I just love a good rolled oat, what can I say.



After breakfast I start working on one of various projects depending on what I have going on at the moment. My studio space is in my apartment so I don’t have to travel far to get to work. I got incredibly lucky and landed a cute 2 bedroom apartment in a beautiful neighborhood so the smaller bedroom (which honestly I would call an office) houses my machines, desk, and computers. I don’t have much of a living room, instead of a couch or TV I have an industrial cutting table and a stool. To each their own I suppose, though you’ll see the problem with this setup when I describe my typical evening later on. My rolls of paper, fabric, and rack of patterns are out in the living room studio area as well.

What I’m working on from day to day varies immensely depending on what I have going on at the moment. It could be anything from sketching new designs, drafting and testing new patterns, working in Illustrator on new patterns and technical illustrations, sewing up variations on existing patterns, or photographing new garments. I’m sure there are a million more things that I am forgetting as well. I also am semi-obsessed with Instagramming so that happens a lot during this time, perhaps you’ve noticed.


I don’t have a designated lunch time, I just take a break when I’m hungry which occasionally means forgetting to eat, but I’ve been obsessed with this particular sandwich lately. Toasted bread (gluten free for me!), a fried egg, feta, Valentina hot sauce, half an avocado, salt, and pepper. I literally cannot get enough of this sandwich. While eating lunch I check my email again and sort of regroup on what I’ve gotten done so far and what I still need to do. After lunch I usually turn off NPR and start listening to music while attempting to finish my endless to-do list. I keep working in this manner until around 6 when I go for my evening run. I’m really into the evening run with no music. It gives you time to digest and reflect on your day and really clear your head. I have a 4 mile loop I do around my neighborhood that I’ve finagled to go down only the most garden filled streets. When I get back from that, I shower, eat dinner, and unless I can rope someone into going for gelato with me at our local gelato place, Black Dog, I quite possibly start working again writing new blog posts or doing accounting work until I go to sleep. That usually happens sometime between 1 or 2 am if I’m lucky.


ALICE PADRUL DAYS

Long before I started releasing sewing patterns and actually before I had even begun blogging, I started working at my current job as patternmaker at Alice Padrul Bridal here in Chicago. I actually had to look at my resume to see when I started working for Alice - 2008. I fell into this job while I was still in school when one of my patternmaking professors had to leave and offered me her job there. On the two days a week I work for Alice, I don’t have to be at work till 10 so I usually get up, have some tea and breakfast, relax around the house with my cat and maybe check my emails or do some crosswords. I usually leave for work around 9:30 and I’m lucky enough to be able to walk there so long as it isn’t raining.


Once I’m there I’m on my feet all day drafting patterns for new dresses for our line, drafting or correcting custom client patterns, and assisting Alice with muslin fittings for our brides. Around 1 I’ll take about a 15 minute break for tea and yogurt then get back to it. We’re in our busiest season now so there’s always a million things to do. We have quite a lot of vintage dress reworkings and reproductions at the moment as well as a few historical projects we’re working on that are really interesting. As the only native English speaker there I’m also responsible for the company blog. At 5pm, work is over and I walk back home to continue on with Grainline Studio work. I’m pretty into this job, Alice is a really talented designer and artist (you should see her watercolors) and I often refer to her and her husband Gene as my Russian parents to my friends and family. When I slammed my finger in my door one afternoon at home it was Gene who drove me to the hospital. They really are a sweet pair - I really hope everyone is lucky enough to work for someone so appreciative and caring at some point in their lives. It’s amazing how much harder you want to work for these people!


Having your own business can be an incredibly rewarding and stressful endeavor. The fact that any success I have is directly related to the amount of hard work I put into the business is both amazing and terrifying, but ultimately pretty empowering. I sort of just fell into this though requests for the patterns of garments I’d posted when Grainline was nothing more than my personal blog but now that I’m doing it, I know for certain that there is nothing else I’d rather do. Every time I get an email from someone who loved a pattern or see a new garment made from one of my patterns I’m so excited. I keep waiting for it to get old but it literally never does. I love that I’m enabling people to have confidence in their own ability to do things themselves successfully and the pride they can take in that. As far as any advice I’d give to someone looking to start their own business - imagine how hard you think you’ll work, then multiply it by 10. Follow your instincts, try not to doubt yourself, and be honest with yourself and others. Talent is great but talent without work ethic is nothing. It doesn’t hurt to pick up a hobby completely unrelated to your business either. You’re going to need it!

As far as what’s next for me, more patterns, more tutorials, and we’re inching towards those printed patterns I’ve been talking about forever. It’d be great if I weren’t such a perfectionist!"

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Jen, you are officially awesome. Readers, check out Jen's new Lakeside pyjama pattern - want!

If you reading A Day in the Life, catch up on previous posts with other fab people who have turned their love of stitching into a career - including DIYcouture, Victory Patterns and Ohhh Lulu.

16 January 2013

Chunky Corduroy Moss (Not Too Mini) Skirt

 

Finiiiiished!! The Moss Mini Skirt - or Not Too Mini Skirt in my case - by Grainline Studio. This was my first time working with a pattern by Grainline and I must say I really enjoyed both using this pattern and the novelty of diverting my sewing away from my usual choice of self-drafted, Colette or commercial patterns. The Grainline pattern line seems to fill a niche for simple (in a good way), modern and wearable patterns aimed at younger stitchers. Having said that, I did lengthen my skirt significantly (3" in the end, in the middle rather than adding the hem band), so I'm clearly too grandma for the target demographic!





The skirt has some lovely style lines, such as the triangular back yoke pointing towards a centre seam. The silhouette is still fairly straight though, which makes it relatively simple to fit. The only change I made to the shape was to cut a triangle out of the top of the centre back seam, as I have a sway back / protruding derrière [delete according to preference]. If - or more likely when - I make this pattern again, I'd probably fit it to my waistline as opposed to this iteration's hipster fit, and would add belt loops before sewing the waistband (mmm... belt loops).



The fabric is a mega chunky tomato red corduroy which I bought on my Goldhawk Road splurge* that Jane forced me to go on. (Okay, so it may have been my idea, but all the same, Jane is a bad influence.) As the fabric was so thick, I decided to make the pockets, pocket facings and waistband facing in a medium weight Summersville cotton leftover from my Life's Too Short skirt. Even then, the thickness of some of the layers - particularly around the zipper - played havoc with my poor little humble sewing machine. Needles were snapped. Bobbins were scratched. (I know!!) Expletives were uttered. And a random little nubbin was left at on the fly opening. But we got through it, and I LOVE the result.



I have a funny story about sewing a fly zipper which I will regale you with one of these days. But until then, let's admire my lovely skirt. Definitely cake.

*Speaking of fabric splurges, I will be exercising extreeeeme will power at Stevie's Walthamstow meet-up on 2nd February. I'm gathering up some lovely patterns and fabric to bring to the Swap. Hope to see some of you there!

[Soundtrack: 'Grandma's Hands' by Bill Withers]

4 January 2013

What's On My Sewing Table...






I've just cut out the Moss Skirt by Grainline Studio. It's a digital pattern, which means printing at home and assembling - I love any excuse to get out the paper scissors and glue stick and pretend I'm still in primary school :)

I'm making it in a bright red, thick corduroy which I bought on a fabric shopping splurge to Goldhawk Road with Jane. For the pockets and facings I'm using Summersville cotton left over from the Life's Too Short skirt.

I want it to be a comfy, casual skirt for everyday wear. It looks pretty small in the pictures, the kind of thing I'd be pulling at the whole time to make sure I didn't flash anyone, so I've added a whopping 4" to the length. Call me old fashioned!

What's on your sewing table, please?

[Soundtrack: 'I'm Shakin' by Jack White]